I’m still here…

I’ve just been totally drawn in by this teaching gig. But I’m finishing up with that in two weeks.

In the meantime, I’ve started taking the University of Alberta’s "Understanding Video Games" on Coursera and on the 22nd of October, I’ll also be starting MIT’s "Introduction to Game Design" on edX. You can still sign up for both, if you felt like it (come on! be my classmate!)

So, from the beginning of October, it’s just me, my projects* and my studies. And I’ll be in touch much more regularly :)

*One of these projects still involves education in a big way - more information to come soon!

PS - Being a teacher has been simultaneously one of the most rewarding yet depressing, enlightening yet infuriating, invigorating yet exhausting experiences I’ve ever had. It’s also the hardest I’ve ever worked. Ever. Out of any job I’ve ever done for any company anywhere. I’ll still be writing a lot about my experiences in the South African public school system. Keep an eye open!

cubbyzissou

eamo2747 asked:

I'm confused about what Beethoven was doing in the black composers post. He was German.

whitepeoplestealingculture answered:

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

Beethoven2

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

deathmaskdeathmask2
Beethoven’s death mask: profile and full face

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

  BeethovenCweb

Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

(read more here)

cubbyzissou:

thepianogirl1:

unimaginableunimaginable:

deadcatwithaflamethrower:

They whitewashed BEETHOVEN?  O_O

Thank you, history/fact-checking Tumblr.

I now feel the need to go burn every white-skinned image of Beethoven I can find.

beethoven was totally black! how do people not know this?

jk because erasure

I have been playing Beethoven’s music for 10+ years now and had absolutely no idea he was black.
My life has been a lie.

OH MY GOD HOLY SHIT.

I HAVE A BACHELOR DEGREE IN MUSIC, MY MAJOR WAS “MUSIC HISTORY, THEORY, AND LITERATURE”

I TOOK MULTIPLE CLASSES SPECIFICALLY IN BEETHOVEN’S STRING QUARTETS AND MY SCHOOL HAD AN INTERNATIONAL BEETHOVEN SYMPOSIUM WHERE THERE WERE PAPERS ON THINGS LIKE THE KIND OF FUCKING PAAAAAAPER HE DID HIS MANUSCRIPTS ON, IN DIFFERENT CITIES, TO SEE WHERE AND WHEN HE WROTE SPECIFIC SNIPPETS OF MUSIC.

NEVER IN MY EDUCATION OR READINGS DID I EITHER

A) NOTICE THIS

B) WAS SPECIFICALLY TOLD THIS.

I think there’s a combination of systemic racism in this, and my own internalized racism. I have, in fact, read Maynard Solomon’s biography and didn’t pick up on this. I have read the Czerny sources as well. My Beethoven teacher (Bill Kinderman) is one of the top Beethoven scholars in the world, and I don’t remember hearing any of this from him.

I even did a semester of graduate work in musicology, specifically focusing on the Beethoven string quartets (I really fucking love those things) and we never spoke about this.

I cannot say I am in any way surprised at this. I am embarrassed, angry, and upset that this was erased from my DECADES of music education.

Which doesn’t surprise me at all, because classical music is very specifically in our culture for white people, especially men, especially upper class white men.

Oof, this one is going to take a while to fully fucking digest, I am in angry tears.

Absolutely astonishing… I’m going to have to reconsider all of history after reading this. ALL OF IT.

wilwheaton
Over the past few weeks, there have been repeated calls to “take gaming back” from the “white knights”, the SJWs, the liberal “crusaders”. But calling for better gender representation in games and game development isn’t about taking anything away. As an artform, as an industry, as a sport and as countless other things, gaming is growing at the speed of light. Yes, the traditional, “triple-A” boxed game business appears to be in decline, but that’s a poor yardstick for a medium that now encompasses hundreds, thousands of different devices, access points, genres and tastes. Such growth invites, demands and can only benefit from a more diverse and inclusive spread of creators and concepts. This is a question of evolution. It’s about taking what we have into tomorrow. Nobody needs to be excluded. And there is no need to panic.

OXM US Blog: Who’s afraid of women in games? (Page 2) - OXM US

I wonder if the decline of AAA titles has something to do with the vast majority of them being derivative of each other, and gamers are getting tired of the same old thing with marginally different graphics? I wonder if people are growing up and getting tired of dealing with assholes when they try to play these AAA titles online?

Women playing games isn’t the problem. The way some men treat women who play games is.

(via wilwheaton)